The flanking wings contain service
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The flanking wings contain service
The principal, or South facade, is 344 feet (104.9 m) in length (from each of the flanking wings to the other), its austerity relieved on the piano nobile level only by a great six-columned portico. Each end of the central block is terminated by a slight projection, containing a Venetian window surmounted by a single storey square tower and capped roof, similar to those employed by Inigo Jones at Wilton House nearly a century earlier.[16] A near identical portico was designed by Inigo Jones and Isaac de Caus for the Palladian front at Wilton, but this was never executed.
The flanking wings contain service and secondary rooms—the family wing to the south-west; the guest wing to the north-west; the chapel wing to the south-east; and the kitchen wing to the north-east. Each wing's external is identical: three bays, each separated from the other by a narrow recess in the elevation. Each bay is surmounted by an unadorned pediment. The composition of stone, recesses, pediments and chimneys of the four blocks is almost reminiscent of the English Baroque style in favour ten years earlier, employed at Seaton Delaval Hall[17] by Sir John Vanbrugh. One of these wings, as at the later Kedleston Hall, was a self-contained country house to accommodate the family when the state rooms and central block were not in use.
The one storey porch at the main north entrance was designed in the 1850s by Samuel Sanders Teulon, although stylistically it is indistinguishable from the 18th century building.
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The flanking wings contain service and secondary rooms—the family wing to the south-west; the guest wing to the north-west; the chapel wing to the south-east; and the kitchen wing to the north-east. Each wing's external is identical: three bays, each separated from the other by a narrow recess in the elevation. Each bay is surmounted by an unadorned pediment. The composition of stone, recesses, pediments and chimneys of the four blocks is almost reminiscent of the English Baroque style in favour ten years earlier, employed at Seaton Delaval Hall[17] by Sir John Vanbrugh. One of these wings, as at the later Kedleston Hall, was a self-contained country house to accommodate the family when the state rooms and central block were not in use.
The one storey porch at the main north entrance was designed in the 1850s by Samuel Sanders Teulon, although stylistically it is indistinguishable from the 18th century building.
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