Theosophical Society
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Theosophical Society
Towards the end of 1918, Frances sent a letter to Johanna Parvin, a friend in Cape Town, South Africa, where Frances had lived for most of her life, enclosing the photograph of her with the fairies. On the back she wrote "It is funny, I never used to see them in Africa. It must be too hot for them there."[4]
The photographs became public in the summer of 1919, after Elsie's mother attended a meeting of the Theosophical Society in Bradford. The lecture that evening was on "Fairy Life", and at the end of the meeting Polly Wright showed the two fairy photographs taken by her daughter and niece to the speaker. As a result, the photographs were displayed at the Society's annual conference in Harrogate, held a few months later. There they came to the attention of a leading member of the Society, Edward Gardner.[5] One of the central beliefs of Theosophy is that humanity is undergoing a cycle of evolution, towards increasing "perfection", and Gardner recognised the potential significance of the photographs for the movement:
... the fact that two young girls had not only been able to see fairies, which others had done, but had actually for the first time ever been able to materialise them at a density sufficient for their images to be recorded on a photographic plate, meant that it was possible that the next cycle of evolution was underway.[6]
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The photographs became public in the summer of 1919, after Elsie's mother attended a meeting of the Theosophical Society in Bradford. The lecture that evening was on "Fairy Life", and at the end of the meeting Polly Wright showed the two fairy photographs taken by her daughter and niece to the speaker. As a result, the photographs were displayed at the Society's annual conference in Harrogate, held a few months later. There they came to the attention of a leading member of the Society, Edward Gardner.[5] One of the central beliefs of Theosophy is that humanity is undergoing a cycle of evolution, towards increasing "perfection", and Gardner recognised the potential significance of the photographs for the movement:
... the fact that two young girls had not only been able to see fairies, which others had done, but had actually for the first time ever been able to materialise them at a density sufficient for their images to be recorded on a photographic plate, meant that it was possible that the next cycle of evolution was underway.[6]
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